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When I searched for some female partner for pleasure in this … Read the rest
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I was not able to understand exactly how Heathrow escorts can preserve their beauty with the help of updated details, so I … Read the rest
In 2012, on the occasion of the 150th birthday of Josef Strzygowski (1862-1921), the controversial personality of this long-standing Viennese professor was subjected to a renewed evaluation in conferences. It seems undisputed that Strzygowski not only opened the Eurocentric view of traditional art history far to Asia, but also became influential in the United States of America. His obvious charisma and his openness to new areas and modern media have also stimulated many students to look for their field of work outside of Europe – in many cases long before political circumstances forced them to do so because of their Jewish origins.
An example of this is above all Stella Kramrisch(1898-1993), who received her doctorate from Strzygowski in 1919 with her “Investigation into the essence of early Buddhist sculpture in India” and was invited to Oxford in the same year through the agency of her teacher. In London she not only organized photos about Indian art for the Vienna Institute, but also came into contact with colonial artists such as the first Asian Nobel Prize winner for literature, Rabindranath Tagore, and English theorists such as William Rothenstein. Invited by Tagore to his college in West Bengal in 1920, the young Viennese art historian moved to India, so to speak on behalf of her teacher, who had promised his Indian colleague to help set up an art history institute. Due to the contacts of her Viennese professor with the Bauhaus, Kramrisch was able to organize an exhibition of contemporary art at the Weimar Art School in Calcutta in 1922. On the occasion of the centenary, this intercontinental cultural transfer was honored in 2013 at the Bauhaus Dessau with an exhibition and an accompanying publication, using materials from our institute’s archive.
Kramrisch wrote the English text for the exhibition catalog in 1922 and became the first female professor of Indian art at the University of Calcutta in 1923. The pupil continued to send her publications, now in English, to her professor in Vienna, and in 1932 she contributed the essay “Landscape, Animals and Geometric Patterns in Indian Art” for his commemorative publication. Stella lived in India until 1950 and later in the USA Kramrisch became one of the most important explorers of the arts in India, her estate is now kept in Philadelphia.
But the “Viennese School of Art History” had not only indirect, but also direct influence: as early as 1926, the Islamic-Indian architect Ing. Khwaja Ali Akhtar Ansari was working on the Taj Mahal with Prof. Strzygowski. The part of the illustrations originally attached to the text with original photos and drawings of this dissertation is partially preserved in the photo collection of our institute. The historian Kris K. Manjapra from Tufts University in Boston, who looked in our institute archive for corresponding sources in the Strzygowski estate in 2013 , is also tracing these interesting relationships between Central European and Indian science in the interwar period .
There were also contacts between Austrian and Indian art scholars at the second Vienna Art History Institute and after Strygowski’s retirement. Thus, even after 1934, the Indian publications continued to go to what was now the only Viennese institute. The related letter in the institute’s archives was signed by Rai Bahadur Daya Sahni (1879-1939). Its more famous namesake, the archaeologist and later President of the Indian Academy of Sciences Dr. Birbal Sahni (1891-1949), on the other hand, was with the numismatist of the Kunsthistorisches Museum DDr. Karl Pink (1884-1965) in lively scientific exchange.
Professor Karl Maria Swoboda, who has been teaching at our institute since 1945also dealt with Asian art and … Read the rest
From early rock carvings to a thriving contemporary art scene, India’s vibrant artistic heritage is the result of a wide variety of cultural influences. The diversity of art from the region – which includes everything created in the historical regions of today’s India, Bangladesh, Pakistan and Afghanistan – is reflected in vibrant, distinct and fascinating styles that reflect many different civilizations.
Since some of the world’s major religions such as Buddhism, Hinduism and Islam originated or developed in India, much of Indian art is based on religious or political content. Here we discover the history of Indian folk art, architecture, and sculpture and explain how they evolved from sociopolitical influences. From early rock carvings to a thriving contemporary art scene, India’s vibrant artistic heritage is the result of a variety of cultural influences. The diversity of art from the region – which includes everything that was created in the historical regions of today’s India, Bangladesh, Pakistan and Afghanistan – is reflected in lively, independent and fascinating styles,
Since some of the world’s major religions such as Buddhism, Hinduism and Islam originated or developed in India, much of Indian art is based on religious or political content. Here we discover the history of Indian folk art, architecture and sculpture and explain how they developed from socio-political influences.
The history of Indian art
Archaeologists discovered evidence of prehistoric rock art carvings or drawings on cave rocks – in this area, which dates back at least 290,000 years. The oldest examples are the rock paintings of Bhimbetka found in central India. Cup-shaped depressions that were knocked out of the rock surface were combined with the painting. This type of rock art was the most important form of cave painting in the Paleolithic, Mesolithic, and Neolithic, often depicting animal and human forms.
The earliest known sculptures in Indian art were made between 2,500 BC. BC and 1,800 BC Created. They created small terracotta and bronze figures that also depicted people and animals such as cows and monkeys. In the 6th century BC The rise of Buddhism paved the way for religious art, often in the form of stone and bronze sculptures. During this period, religious artists also experimented with creating huge temples carved in stone and decorated with Greek columns.
Sculpture was a widespread practice among Indian Buddhists and Hindus. Hinduism remained a focus of Indian art for centuries, as sculptures of deities like Shiva were made many times. In the 16th century, Islam gained importance under the Mughal Empire and art production grew under the Islamic rulers. During this time the art flourished and construction of the Taj Mahal began in 1631.
British activities in India began in the 18th century when they established art schools to promote European styles. As a result, local art styles merged with foreign influences, and traditional art forms were often romanticized or exaggerated to attract European buyers.
In 1947 India gained independence from the British Empire, which led local artists to look for a new style. Contemporary Indian art combines traditional elements and influences from the country’s eventful history.
Types of Indian Art
Each region of India had its own style of art. Religious motifs are among the most common themes, often with mythological human and animal shapes and elaborate decorations.
The three most common art forms that comprise the history of India are painting, architecture and sculpture.
Indian art: paintings and painting
Every style of painting that originated in India embodied traditions, customs and ideologies passed down from previous generations. Although there were early paintings as murals, the art form was ultimately carried over to more … Read the rest